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| Color: | |
|---|---|
| Size: | |
| Material: | |
| Quantity: | |
Parameter | Details |
Model | R12201 |
Total Weight | 5.6g |
Size | Adjustable (fits most finger sizes) |
Material | 925 sterling silver |
Plating Color | 14K Gold Plated |
Ring Type | Enamel Ring |
Ring Color | Gold |
Key Features | The green-white grid splits one plane into rhythm, not picture—echoing how Mondrian turned wall into music, giving metal a silent tempo she can rotate with her thumb. |
Origin | Guangdong, China |
Resting in a Weimar studio café, I watched sunlight hit a steel-framed window: outside, lime tree leaves; inside, mullion shadows cutting the pane into green-white squares. A waitress passed, her silver cuff splitting the same grid on the table. That overlap—botanical chaos sealed into architectural order—became the ring face. Not a painting copied, but the moment a window decides where nature ends and composition begins.
S925 sterling silver’s 92.5% purity with 7.5% copper yields a hard-enough backbone to hold an open shank’s spring tension without work-hardening cracks, while its cool tone sharply cuts the fired enamel’s green-white temperature—critical for Mondrian-style contrast. The enamel itself, vitreous not resin, resists UV yellowing under gallery spotlights and survives hand-wash pH swings better than printed ceramic. Nickel-free by alloy law, it meets EU REACH sensitivity thresholds, letting art wearers keep it on through vernissage crowds and late studio hours without irritation.
Each ring starts with a hand-bent silver wire shank, soldered at a deliberate gap, then a recessed bezel is hand-filed to seat the enamel plaque flush. A single enameler spends roughly 3.5 hours per ring: laying opaque green and white vitreous powder in alternating cells, firing at ~780°C in three successive rounds, grinding the surface flat, refiring for gloss, and finally hand-etching the silver frame’s inner edge to catch raking light. No transfer printing, no epoxy fill—every checker is a fired plane. A finisher devotes 25 minutes to satin-buff only the outer rim, leaving the enamel face untouched for matte depth. The open back is hand-flexed to a repeatable tension, then stress-relieved over warm ash. Result: not a cast trinket but a drawn composition—grid, gap and all—quiet enough to hang in a gallery case.
In old German painter guilds, a master left one square of the apprentice’s grid unpainted—trusting the student to mix life into it later: a wedding, a loss, a city changed. A printmaker in Leipzig kept such a ring through three studios. One checker was green when she arrived, white when she left, then green again after her mother mended. Friends asked if the gap at the back meant incompleteness. She turned the ring: “No. The open shank is the part I paint with my own years. Art isn’t framed shut—it wears the hand that finishes it.” It never matched a ring stack. It matched a practice.
Yes. Crafted with 925 sterling silver and finished with 14K Gold Plating, this ring is Nickel Free and lead free. These materials are carefully chosen to minimize the risk of allergic reactions, making it safe for those with sensitive skin.
The ring features an Adjustable design that can be gently resized to fit most finger sizes. This flexibility eliminates the need for precise size measurements, making it a great choice for gifting or for those who prefer a one-size-fits-most option.
The longevity of the 14K Gold Plated finish depends on how the ring is worn and maintained. With regular care—such as removing it before swimming, showering, or applying lotions—the plating can retain its color for an extended period. Avoid harsh chemicals to preserve the finish.
